A Game of Thrones: A Song of Ice and Fire, Book 1

I love fantasy; ever since I was a kid, stories set in creative worlds featuring varied groups of characters fighting to save the world, overcome evil, or even resolve some political matter have always captivated me. As such, I've read many fantasy novels over the years...and doing so has made me notice a rather unfortunate trend: the genre as a whole often relies too heavily on the same cliches and plots, which makes many of the stories presented seem tired, predictable, and overdone. As a result of this, I decided to take a break from fantasy; one can only read the same story so many times before getting fed up. I started "A Game of Thrones" very tentatively, partially because of the all the hype around the series and partially due to my own wariness regarding fantasy novels. My fears were completely unfounded; "A Game of Thrones" is a breath of fresh air for the genre, and is easily one of the best books I've read in recent years. Spoilers follow.The novel contains three story lines. The first and most heavily focused on is that of the Kingdom of Westeros, its political structure, the ruling family's potentially reputation-destroying secret, and the beginning of conflict after the king dies. The second plot is that of the Wall and the constant struggle of the Night Watch to defend Westeros against the wildlings and more sinister creatures that reside beyond the Kingdom's border. The third takes place away from Westeros and follows the story of Daenerys, the last of the Targaryen family, and the start of her rise to power. The first story is clearly the main plot, while the second and third receive a little less attention, yet are no less important to the overall story.The story presented here isn't that which is typically found in your common fantasy fare. This is not a tale of sword and sorcery, wizards and heroes enacting the traditional yarn of Good versus Evil, or of an impoverished farm boy discovering that he comes from a lofty background and is destined for greatness. Instead, this is largely about politics and political intrigue with a dash of magic and the unknown thrown in to give the novel a unique flavour. Perhaps the most noticeable element of the plot when compared to other fantasy books is the lack of magic; it does exist in Martin's world and he indicates that it can be a very powerful force, yet its role in this particular book is very small. This makes the few instances where it does appear very significant. Martin has said that he based "A Song of Ice and Fire" on the War of the Roses, and as such, more attention is given to the politics and the crisis of succession when Westeros' king dies. This makes for a story that avoids the traditional fantasy cliches while still having a distinctly fantasy feel.The primary focus may be on political intrigue, but the book is hardly boring or overly mired solely in scheming. With all this political conflict come battles, fights, beheadings, and conquest, and Martin writes all of them exceedingly well and believably. This is a very gritty world that Martin has created, and he certainly doesn't shy away from showing how brutal life can be for his characters. Both rape and violence are present and are portrayed in a much blunter, starker light than in most novels. If there is a battle, you will see characters suffer gruesome ends, and the spoils of conquest are not glossed over. Yet, the use of such elements doesn't come off as gratuitous nor do they seem unnecessary; instead, they serve to characterize the world in which the characters go about their lives. Indeed, this is a dangerous place with far-reaching consequences and risks. It certainly puts a darker spin on the plot, but as someone who quickly bores of overly optimistic characters and stories, this darker, grittier fantasy very much appeals to me and gives the book a certain edge that sets it apart from others.Accompanying this dangerous, sometimes terrifying world is the idea that no one is safe...and that includes main characters. Martin doesn't hesitate to take characters you've grown close to throughout the book and run them through the wringer, sometimes going as far as to kill them off. One of the main point of view characters is beheaded toward the end of the book, not because he is a terrible person or because he is in some way marked as being a "bad" character. On the contrary, he's the most honest, reasonable character in the book, and it's his own honesty that leads to his demise. This is the point that makes you realize that "A Song of Ice and Fire" will pull no punches or give anyone immunity based solely on whether they are a positive or negative character, a primary character or a background character. When characters, regardless of their role in the story, enter into a conflict, whether it's physical in the form of a fight or battle or more complicated through scheming and deceit, you genuinely fear for their safety. While the traditional fantasy novel may put the main character through trials and hardships, you know he'll make it through in the end, but that's not the case here. The reader is always on edge, worrying for their favourite characters or rooting for the demise of their most hated, but you never know how it's really going to play out. It's a completely different reading experience from most books out there, putting a real sense of danger into the book's events and a feeling of suspense into the story.Another standout aspect of "A Game of Thrones" is the world building. Martin has not only created an intriguing world of politics, kings, deceit, battles, conquest, magic, and gritty reality, he has done it in a masterful manner. It's become something of a pet peeve of mine when authors are so proud of the world they've built that they dump pages and pages of their world's landscape, history, government, culture, etc on the reader in the middle of the story; it's a heavy-handed, clunky way of developing the backdrop of a novel. Martin manages to keep his world richly detailed while avoiding info-dumping by slipping in brief descriptions of how Westeros works in dialogue or when the subject in question appears. He doesn't appear to be in a hurry to reveal everything and instead lets things unfold in their own time. He knows his world from front to back, and he knows when it is appropriate to explain something and when it isn't.The character setup of "A Game of Thrones" is also pretty different. Instead of having one protagonist whose story is the focus of the book, we get 8 different characters that provide 8 unique points of view. The perspective switches in every chapter, so we often see one event thoroughly told from two or three different characters. This is a great way to keep the story from getting stale or repetitive, as all of the characters have a distinct voice or bias and no character ever receives two chapters back to back. On the downside, however, it can be a little frustrating to be enjoying the perspective of one character, only to turn the page and see that you'll be finishing the issue at hand through the eyes of a different figure. That aside, having 8 point of view characters works very well for the novel because it keeps each chapter fresh and allows the reader to thoroughly get to know multiple characters rather than just one.What is particularly great about Martin's characters is, as I said above, that they're completely distinct. They're so well fleshed out and have so many realistic motivations, feelings, and actions that it could be easy to forget that they are fictional characters rather than real people. While some characters may seem to fall into a broad archetype of character, pretty much none of the characters can be summed up on one or two words. Equally as impressive, whether you'll like or dislike a character will be dependent on how well they or part of their personality resonates with you personally, instead of whether they are "good" or "bad." Even the characters that seem to be cast in a more negative light have positive personality traits that make them likable and relatable. It also seems that what one reader appreciates about one character, another reader may dislike. The characters in "Game of Thrones" are so well fleshed out and realized that they sometimes seem as realistic as flesh-and-blood people, and like real people, your reactions to and liking of the characters will be based almost entirely on their complex personalities.The secondary and side characters also receive a lot of care. Although we don't get to know them as intimately as the point of view characters, we still often see enough of them to get a sense of who they are. There are a lot of side characters in the novel, with possibly hundreds of names being tossed around depending on whose point of view the chapter is told through...so you do have to pay attention to who is who. Most characters, however, appear fairly frequently and are distinct enough that it's easy to keep them straight. And those who aren't seen as often tend to come with a little reminder of who they are when they do show up. Even though there are a lot of secondary and side characters, they are given a lot of thought, making for a rich variety of figures to populate the novel's setting.To reiterate what I mentioned earlier, no one is safe. This can make for some emotional reading when the characters are so unique and well thought out. It must always be remembered that anything can happen to the characters and any chapter could be their last. Characters can meet their end very quickly or very slowly, and there's really no way of predicting if a figure will survive or not.As a side note, despite the length of "A Game of Thrones," it is only the first book of a long series. This means that while this novel contains its own well-told story, it also does a lot of setting up for the overarching plot and leaves more questions than it answers at its conclusion. If you begin to read this series, you will likely become hooked on it and rush out to get the second book after you finish this one.Overall, "A Game of Thrones" is one of the best books I've read in recent years. It bucks the trends and cliches of modern fantasy novels and offers up something that is unique, but still contains the mystical flavour of the genre. The world presented is violent and gritty with a no-one-is-safe policy that leads for some edgy, often tense reading. The characters are wonderfully developed and fleshed out so well that they could easily be real people, and the different points of view throughout the novel offer unique perspectives on the story's events. This is perhaps the first book I've read in a long time about which I can't come up with something I don't like, aside from a couple characters...but, as I said earlier, not liking certain characters for aspects of their complex personalities is part of what makes the novel so, well, likeable. Five stars happily given for the above and for reviving my interest in fantasy.

I am writing this review as an individual who watched Game of Thrones on HBO before picking up the book series, so with that in mind you may or may not find my review helpful/useful. I will also try to keep this review as spoiler-free as possible.As a fan of the tv series, I came into this book knowing what to expect; I was told that Season 1 and Book 1 are very similar, and that is most certainly true. But do you know what? I still loved the book. I’ll do list format for the book’s good and bad points (in my opinion and in no particular order) to make this a little more organized.--GOODS:DIALOGUE/WRITING - George RR Martin has a way with words. His descriptions of the various locations and lands and kingdoms of Westeros, from Winterfell to King’s Landing to Vaes Dothrak, have flawless flow. I love descriptive writing, and there is always a fine line between not describing something enough to give the reader a good picture and going overboard to the point where it gets boring to read through paragraphs of superfluous text. This is especially true in the fantasy genre, where the lands and people and words and customs are all…well, fantastical. This book finds that balance, with evocative, beautiful language that puts you right in that setting and right in the thick of the action. Hell, the descriptions of food always made me hungry even if they were serving something that I would never actually eat! As for the dialogue, if you are a fan of the show’s dialogue, or clever dialogue in general, you will enjoy this book. There are a good number of memorable and poignant quotes throughout the book, my favorite being “When you play the game of thrones, you win or you die,” an apt summary for sure. Bottom line, when you pick up this book, be prepared to engross yourself and be swept away to a foreign land.VOICES/POINTS OF VIEW - Notable about this book, and all the books in the series, is that it is constantly switching from various characters points of view (POVs, as I’ll refer to them from now on). And by various, I mean roughly 7-8 characters. As difficult as this is to pull off, Martin does a great job. It’s an effective way to see what is going on in multiple locations at roughly the same time while keeping us invested. I applaud his decision to present us the information this way as it gives us a greater connection with the characters and more insight into various situations as we see how they are impacting the character that we are viewing it through. Not to mention, Martin manages to keep each of the individual POVs unique enough that you don’t need to flip back to see who’s narrating. Each character has distinct personality traits and ways of thinking/speaking that distinguish them from the others. Sansa is lady-like, a romantic and naive. Arya is fiery, resourceful and a fighter. Tyrion is shrewd, astute and full of quick-witted jibes. And so on and so forth. It is also worth noting that each character, even if a few of them are in the same place at the same time, sees different things and different people and analyzes situations in different ways, so each chapter gives you new information in some way or another. It’s very cleverly done and just as frustrating when you realize “UGH this character doesn’t know what was revealed to me, the reader, in THIS CHARACTER’S chapter” which is a great way of keeping you hooked.CHARACTERS: HEROES VS VILLAINS - Getting inside the characters heads, you start to understand their motives and the ways that they think. So you get to decide for yourself what motives are justified and who you believe in or who you’re rooting for. But then again, just because one character appears to be the “hero” of the story, doesn’t mean they’ll necessarily get a happy ending. If you’re looking for a feel-good story about about good conquering evil, this probably isn’t for you. If you’re looking for a story with deep, cunning characters who you can’t always trust, who are shades of grey versus black and white, then you’ll find this book a compelling read.DEPTH - Martin has done his homework and has developed rich histories for each of the characters and their houses. Hell, the Appendix of the book has small blurbs about each house, its history, its sigil, its words/slogan and the relevant members of the house. It’s always available for you to flip back and read if you find yourself confused, which can happen. Having watched the tv series, I was less confused about the various Houses and characters coming into the book, which helped a lot. Yet I still found myself learning new information from the Appendix. It’s a great tool and shows the author’s dedication to his characters and their backgrounds. I was impressed by how richly developed everything was, even though this is only the first book in the series.NO TEENAGE DIARY DESCRIPTIONS ABOUT SEX - This book has sex in it. Quite a bit, too. I can see how this would be off-putting to some readers. Personally, I don’t mind it much. What I appreciated was that the descriptions of sex weren’t long, drawn out, excessively pornographic or mushy-gushy. I appreciated not having to wade through pages upon pages of “his fingers brushed against my fingers and my heart fluttered, he looked at me and I admired his beautiful eyelashes” or other mushy teenage romance dialogues that frankly bore the poop out of me. On the other hand, you’re not reading through pages and pages of detailed erotica either. It’s written very matter-of-factly, very bluntly and to-the-point and only went into a bit more description when it was warranted. Again, I imagine this isn’t for everyone, so you may consider this a negative. The way it was presented throughout the book, however, I felt warranted a checkmark in the “Good” category.FEMALE CHARACTERS - Some of the best depictions of female characters I have read. I was very impressed. The female characters are at all ends of the spectrum in this book, from feminine to tough to conniving. In a book where you’d assume the male characters take front and center, the female characters are just as fascinating, if not moreso in some cases.X-RAY - I have the Kindle version of this book. The X-Ray features really helps you keep track of the book’s many characters and remind you who someone is if you forget, which is SUPER helpful. I used the features many times throughout the book and it definitely aided my understanding and allowed me to further appreciate the depth of the characters and the story.--BADS:MULTIPLE POVs SLOW DOWN THE ACTION - The constant cutting back and forth between different characters and settings, while well done, also has the side effect of slowing down some of the action. You end a chapter on a cliffhanger as the one character’s POV learns something horrifying or experiences something shocking. But then the next chapter jumps to a character who is in a completely different setting and you have to wait until you get to a chapter of a character who is in place where the cliffhanger first happened. It slows down the action a bit, which can get a little frustrating. If it really bothers you to read a cliffhanger and then wait a few chapters to see a reaction or resolution to that cliffhanger, then this book might frustrate you more than entertain you. Not to mention, if you find one character’s voice/writing style/actions particularly boring, you might find it tiresome to have to wade through those chapters to get to the “good stuff.” I know I personally had that problem in a few instances.TYPOS - I have the Kindle version of this book, and it had quite a number of typos. Not on every page or anything, but more than I would have liked. A few of them sort of interrupted the flow of the story while I was reading, but for the most part they aren’t a huge deal. Just a little annoying.LENGTH - Not gonna lie, flipping through the Table of Contents and realizing there are 72 chapters was a little daunting. And if you have a really busy schedule, you might find the length a little scary too. I’m very glad I stuck it out and plowed through, though!--Overall, I’m a happy camper and am going to pick up the second book in the series ASAP!